Mthats All Folks! the Art of Warner Bros

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 · 79 ratings  · five reviews

Start your review of That'south all folks!: The art of Warner Bros. animation

Oct 31, 2013 Rick rated information technology it was astonishing

Recommends it for: blitheness fans

Lots of bang-up information, character sketches etc. I call back it is a must read for anyone who grew upwardly watching the classic Looney Tunes shorts on TV or even in the theater.

(Leido en inglés)

A pesar de tener en el título "The Art of Warner Bros. Blitheness", este no es estrcitamente un libro de arte. Si, buena parte de las páginas están repletas de concept arts, fondos y capturas de los cortos animados de la Warner (que resultarán apasionantes para los fans de la animación, como yo), pero a la vez contiene una cantidad de texto muy respetable, dividida en 3 partes:

-Un prólogo de Ray Bradbury, seguido de la historia del estudio. Casi medio libro es la historia de los

(Leido en inglés)

A pesar de tener en el título "The Art of Warner Bros. Blitheness", este no es estrcitamente un libro de arte. Si, buena parte de las páginas están repletas de concept arts, fondos y capturas de los cortos animados de la Warner (que resultarán apasionantes para los fans de la animación, como yo), pero a la vez contiene una cantidad de texto muy respetable, dividida en iii partes:

-United nations prólogo de Ray Bradbury, seguido de la historia del estudio. Casi medio libro es la historia de los estudios de animación, con pequeñas fichas de los directores mas importante. Es un recorrido con united nations detalle bastante decente y da una visión de conjunto francamente buena.
-Los personajes: Cada personaje icónico del estudio tiene una sección, con su historia, diseños y una selección de "mejores cortos".
-United nations listado de todos los cortos del estudio ordenados cronologicamente.

Es un libro de 1988, y como tal, acaba bastante antes de lo que a uno le gustaría. Parece estar muy bien documentado, aunque siendo de ese año muy posiblemente tenga algunas cosillas erróneas aqui y allá.

Pero en general, united nations libro excelente si interesa el mundillo de la animación.

...more

The ultimate bible to Warnes Brothers Blitheness. It'southward got a groovy historical breakdown, bios of the major players, and tons of behind the scenes sketches and layouts. The 2d half is broken downwards by 'Graphic symbol' which fabricated me a fiddling weary at first, but it's actually comprehensive creative histories of how the characters came to be and where they ended up.

Criminally out of print.

The ultimate bible to Warnes Brothers Animation. Information technology's got a great historical breakdown, bios of the major players, and tons of behind the scenes sketches and layouts. The second half is broken downwards by 'Character' which made me a little weary at beginning, only information technology'southward really comprehensive artistic histories of how the characters came to be and where they concluded upwards.

Criminally out of impress.

...more

iii.5-4 stars.

This is truly almost Warner Bro'due south animation. Not the studio heads, not the line artists, not the animators, not annihilation contemporary (save tie-ins with WWII). The book is both a reference and enjoyable for someone who loved and lived those heyday WB cartoons of the 1940s and 1950s.

For someone who has the Looney Tunes "Golden Collection" and has watched all of them, this was conspicuously informative. This is a 100- or 200-level college course, basically on the history of the studio and information technology

iii.v-4 stars.

This is truly about Warner Bro's animation. Not the studio heads, non the line artists, not the animators, not annihilation gimmicky (save necktie-ins with WWII). The volume is both a reference and enjoyable for someone who loved and lived those heyday WB cartoons of the 1940s and 1950s.

For someone who has the Looney Tunes "Golden Collection" and has watched all of them, this was clearly informative. This is a 100- or 200-level college course, basically on the history of the studio and its characters. You larn where Porky, Daffy and Bugs come from, and who drew them.

Readers will also - even if they think they've seen everything - discover something in the book that they had no idea existed. In some cases, it is considering the reels were lost; in others, Warner Bros. or the electric current rights-holder has kept them off the airwaves. "Coal Blackness and de Sebben Dwarves" was the big one for me and yes, it is exactly what information technology sounds like.

The book does a dandy job of explaining not just the history, just the technical aspects and improvements, likewise as the lengths to which animators went to inquiry, layout, and animate a story. The same "Coal Black" involved visiting actual jazz clubs of the era and getting performers on lath. Nosotros are all aware of some of the treatments of "classical" music (Bugs dressed equally Brunhilde, Bugs conducting the orchestra until the whole matter collapses, etc), only may not realize just how much work was in there.

The big takeaway for me was that these sort of cartoons as weekly Sabbatum morning fare will never happen again, as they were originally "mini movies" shown with feature films in theaters, and carried advisable budgets. With the exception of large-named back projects like "The Animaniacs" (which was written after this book was published), children's television animation may never see something as robust and well-written every bit those classic WB cartoons of the 40s-60s.

Pick upwardly the book and notice a cartoon y'all never knew. Have the Internet handy, equally you will want to expect all of these cartoons upward!

...more

Dec 06, 2014 Tim Kadlec rated it actually liked information technology

While you lot'll find more than detailed data elsewhere, the author does a pretty good job of providing some context and historical insight into the evolution of the Looney Tunes, the creation of the major characters, and the personalities behind the scenes. Where this book really shines, though, is in the many beautiful and hard-to-find sketches and animation artwork prominently on brandish. It'due south a gorgeous book! While you'll find more detailed information elsewhere, the writer does a pretty practiced job of providing some context and historical insight into the evolution of the Looney Tunes, the creation of the major characters, and the personalities backside the scenes. Where this book really shines, though, is in the many beautiful and difficult-to-find sketches and blitheness artwork prominently on display. It's a gorgeous book! ...more

Steven Jay Schneider is a movie critic, scholar, and producer with M.A. degrees in Philosophy from Harvard University and in Movie house Studies from New York Academy. He is the writer and editor of numerous books on world cinema, most notably in the horror genre. They include Eurohorror, The Cinema of Wes Craven: An Auteur on Elm Street, Designing Fear: An Aesthetics of Cinematic Horror, Killing in Steven Jay Schneider is a flick critic, scholar, and producer with M.A. degrees in Philosophy from Harvard Academy and in Picture palace Studies from New York University. He is the author and editor of numerous books on globe cinema, nearly notably in the horror genre. They include Eurohorror, The Picture palace of Wes Craven: An Auteur on Elm Street, Designing Fearfulness: An Aesthetics of Cinematic Horror, Killing in Style: Artistic Murder in the Movies, Understanding Motion-picture show Genres, and Traditions in Globe Cinema. He is likewise a consultant for film, tv set, and home video/DVD production companies, a curator for earth horror film programs, and a staff member in development for Paramount Pictures. Among his recent titles are 501 Pic Stars and 501 Movie Directors, both available in North America from Barron's. Two additional titles from Barron's are scheduled for publication in Bound 09. They are 101 Horror Movies You Must See Earlier You Dice and 101 Sci-Fi Movies You Must See Before You Die. ...more

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